"Roomie" a Room Divider

A beautiful wooden sculpture by Danish artist Ole Wettergren, created in the 1970s. Titled "Female", this work embodies the artist’s ability to translate organic material into sculptural elegance and human presence.

Wettergren is widely recognized for his wooden sculptures, celebrated in international design and art magazines such as ARK Journal. His practice is rooted in the Scandinavian tradition of minimalism and craftsmanship, where form and material speak with clarity and restraint.

The sculpture’s smooth surface, warm tone, and natural patina underline the sensuality of the wood while the minimalist form offers a timeless expression of femininity. As with Wettergren’s other works, "Female" resonates with the modern Scandinavian interior: light, simplicity, and harmony.

• Dimensions:

  Height: 32.88 in (83.5 cm) Width: 8.67 in (22 cm)Depth: 7.88 in (20 cm)

• Place of Origin:

  Denmark

• Period:

  Late 20th Century

• Date of Manufacture:

  1970s

• Condition:

  Good. Wear consistent with age and use.

A Burl Table is founded in a collaboration between eliaselias & artist Ole Victor. The idea is to make a functional furniture but even more, a piece of art. The combination of different materials - the vintage round burl tabletop, it adds warmth and age - the sturdy, almost monolithic ceramic legs give the table a bold and architectural expression, making it a unique and intriguing art piece crafted to last for generations.

The legs can be moved cautiously around the table which make the design playful and multidimensional in its own unique way.

This sculptural table will complement many interior styles. A modern, antique, classic, Scandinavian or an Art Deco home deco.

A sculptural and narrative-driven work by Emilia Sølvsten (2025), "200 Døgn på Flydende Is imens du er på Himmelrejse" features a green iron table frame with an accompanying hand-engraved glass top, merging functional design with conceptual depth. The detailed collage combines the artist’s own motifs with borrowed imagery, exploring the ways stories are shaped, transmitted, and interpreted.

Drawing inspiration from Greenlandic oral traditions, the work engages with personal and collective memory, intertwining myth, history, and lived experience. It incorporates references to historical figures, such as Norwegian explorer Fridtjof Nansen and the expedition ship Hansa, alongside mythological beings like Qivittoq, Sedna, and Sila. A bird-like figure emerges, symbolizing the spiritual and living weave of nature, resonating with the avian forms in the table frame.

The piece reflects the artist’s ongoing interest in identity, colonial heritage, generational memory, and storytelling, creating a dialogue between past and present while transforming narrative into tangible form. The engraved glass acts as a medium where myth, personal history, and cultural narrative intersect, offering new interpretations with each viewing.

Designed to engage with the domestic space, this work also functions as a sculptural yet practical object, merging conceptual art with everyday interaction. The table’s form, scale, and materiality invite reflection on how stories move through time, the spaces they occupy, and the ways they connect owner, viewer, and artwork.

This work exemplifies Sølvsten’s ability to merge narrative, materiality, and functionality, creating a piece that is at once sculptural, interactive, and deeply rooted in cultural memory. It offers a poetic engagement with history, myth, and personal narrative, transforming everyday space into a site of reflection and imagination.

This table will complement many interior styles. A Modern, Antique, Classic, Scandinavian or an Art Deco home decor.

A tactile and evocative work by Swedish–English artist Bettina Nelson (b. 1989), The Elena Tapestries no. 4 (2020–2024) is a handwoven meditation on nostalgia, memory, and material survival. Created from Argentina’s last remaining rolls of formio fiber — a heritage material once central to rural craft traditions — the work bridges past and present through both medium and motif.

Woven into the natural formio are icons of the 1990s “plastic fantastic” era: cigarettes, plastic straws, and other fleeting symbols from a decade marked by industrial acceleration and synthetic optimism. By embedding these disposable images into the very material that plastic once replaced, Nelson stages a quiet reconciliation between heritage and mass production, adolescence and hindsight. The tapestry becomes a space where memory — imperfect and contradictory — is granted dignity.

Handwoven on a primitively structured vertical loom using only hands and fingers, the surface undulates with irregular rhythms and subtle variations. This deliberate embrace of imperfection reflects Nelson’s belief that objects carry memory not as narrative, but as sensation — what she describes as an intrinsic movement within the material itself.

Balancing permanence and transformation, tradition and ephemerality, The Elena Tapestries invites reflection on cultural shifts and the fragile persistence of craft in a rapidly changing world.

Designed to be displayed either mounted on a wall or suspended freely within a space, allowing its woven surface and material presence to be experienced from multiple angles.

Material: Formio fiber
Size: 180 cm × 125-140 cm

This tapestry will complement a Mid Century Modern, Scandinavian, Contemporary, or Eclectic interior, where material presence and quiet storytelling are central.